As museum folks, we strongly
believe in acts of remembrance. Preserving the past through photos, written and
oral histories and treasured keepsakes are all important parts of what we do –
and something we encourage individuals to do as well. But some acts of
remembrance are a bit unusual, even for us.
Welcome to today’s artefact.
These beautiful earrings from our
collection are a fine example of hair work jewellery. That’s right; they are
woven from strands of human hair. Ladies in the Victorian era would use strands
of human hair as their material and, following patterns offered through magazines
such as Godey’s, they would intricately weave incredible, wearable works of art
from human hair. These earrings were woven in a method known as “table worked”
where the hair is worked on a special braiding table using a series of weights
and bobbins to weave the hair into a particular pattern. Sometimes wax or
wooden forms were used as well and the hair was braided over top to re-create
the shape. Other hair work pieces, such as our sample below, were worked flat or “pallet
worked” and encased under glass in brooches.
That’s the how – but what about
the why?
Hair work jewellery was made for a number
of reasons: sometimes it was created as a piece of mourning jewellery, using hair
from the deceased to create a wearable memento to keep that person’s memory
close. In other cases, hair work was created as love tokens or a commemorative
piece to mark a special bond or union between friends or lovers.
Every age has utilized personal
mementos as acts of memory (we bet somewhere in your house there is a scrap of your
hair or your first tooth taped in a baby book). But the extremely elaborate level of effort represented
by hair work jewellery seems only possible in the unique circumstances of the
Victorian era.
Queen Victoria, in her sorrow over Prince Albert’s death, adopted
a host of mourning rituals that became the standard of the age. Among these rites, she is known to have made hair work jewellery. She even gifted
a piece of her handiwork to Empress Eugenie of France. Historians have recorded
that the Empress was moved to tears by the gift; history has not recorded,
however, whether the tears were of joy at Victoria’s kind gesture, or tears of embarrassment
because Eugenie had forgotten to make a little something for Victoria in return.
All we can say for sure is that Eugenie
likely always remembered Victoria’s forget-me-knots.
Keep up the great work. I look forward to reading about these gems.
ReplyDeleteThanks so much Diane! We are having great fun with this series and are delighted at the reader response.
DeleteNot only are these of interest, but very well written!
ReplyDeleteThank you very much Donald! We truly hope people find these tales both informative and entertaining!
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